Kim Frisch Illustration

A ramshackle collection of my visual work.

I am a 21-year-old illustration student at Washington University in St. Louis. I'm loosely interested in motion, narrative, and character design, and I'm excited to explore the world of image making.

kimberlyfrisch@gmail.com.

Illustrations for Mutually Assured Destruction, a book of poems by spoken word poet and community organizer, Aaron Samuels. In addition to the art, I did the full book design. You can preview (and purchase!) Aaron’s book here

Editorial illustrations for an article about conflict in the Middle East and its effect on oil prices.

A title sequence for an imaginary film called “Brush Strokes.”

Don’t Say I Didn’t Warn You: 6-Word Autobiographies by WU-SLam Poets. Personal work.

These are 3.5x2”, the size of a business card, and perfect bound with collage-on-bookboard covers. All 33 books are different and they make pictures when you put them together. A present for the Slamily.

The Blue Diamond Caper. Animatic, 2:32. An edge-of-your-seat detective story set in the shady locale of an elderly woman’s living room.

This was my final project for Word & Image 2. The assignment forced me to make lots of images quickly. Getting into the routine of drawing, scanning, coloring, and moving on felt great. I was surprised by how much my drawings improved when I just kept moving forward. I get a huge kick out of drawing silly faces and floppy cats. Ohmygoodness. I also love editing video to music. This is the kind of project I would do over and over.

The Supplanting: Selected Works by Wendell Berry.

This is my final project for Typography: a 7.5x10” book, 14 spreads longs, containing poems, essays, and short fiction by Wendell Berry. I worked with a theme I noticed in Berry’s work: the complex relationship between agriculture and nature. In once sense farmers work in harmony with nature, but in a sense they also fight it and hold back its chaotic force. For my book, I used two contrasting ink textures to represent these two forces, which I composed in a variety of spreads. The type is calm and minimal, and thanks to my professors reminding me early on to keep things simple, I’m pleased with the way it turned out.

This is a hypothetical iPad application for Clarkesworld, an online science fiction and fantasy literary magazine. (Some material belongs to Tor.com as well.) My goal: make a sleek eReader interface that lets users read the way they want, without any extraneous information. I also wanted to incorporate the visual side of SFF culture more than the Clarkesworld website does.

The app includes a clean eReader that scrolls infinitely in vertical mode or sorts into pages in horizontal mode. There is a search feature, an audiobook section, author profiles, and an illustration gallery. Almost everything can be dragged to a notebook icon in the corner and saved in the bookmark section. The app is controlled by intuitive gestures, such as swiping menus open and shut or dragging to scroll, which means fewer visual distractions on screen.

The trick was coming up with a system. Once I’d figured out how the app generally worked, it was mostly a matter of implying my own internal logic to the rest of the pages. I designed a good number of icons for this project, which I reused a bunch of times. Designing the icons and making a series of interchangeable parts was really satisfying.

I think next time I do something really computer technical like this I’d like to try and incorporate some hand drawn or organic elements and see where that takes me. But Clarkesworld, if you were to make an iPad application, it would be amazing if you dropped me a line.

Those pesky art students.

A short image sequence assignment about one of the five sense. Highlights: composing the blankets! pattern! grumpy faces!

Old King Cole was a merry old soul,
a merry old soul was he.
He called for his pipe and he called for his bowl
and he called for his fiddlers three.

Nursery rhyme poster assignment, 16x20”. This was a good exercise in using a single color strategically. Also, pointy shoes!

Red Meat. Tunnel book with side-sewn insert, 9x6.5”.

Based on the myth of Geryon from Ann Carson’s Autobiography of Red: A Novel in Verse. I am kind of in love with this red paper and with Ann Carson.

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